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List of Guggenheim Fellowships awarded in 2002. ==U.S. and Canadian Fellows== * Andrew Abbott, Gustavus F. and Ann M. Swift Distinguished Service Professor, University of Chicago: Time and social structure. * Peter A. Abrams, Professor of Zoology, University of Toronto: Sources of uncertainty in ecological predictions. * Betty Adcock, poet, Raleigh, North Carolina; Member of the MFA Faculty in Writing, Warren Wilson College MFA Program for Writers; Writer-in-Residence, Meredith College: Poetry. * Rabih Alameddine, writer, San Francisco: Fiction. * Robert Livingston Aldridge, composer, Clifton, New Jersey; Assistant Professor of Music, Montclair State University: Music composition. * Elizabeth Alexander, poet, New Haven, Connecticut; Adjunct Associate Professor of African-American Studies, Yale University: Poetry. * Philip B. Allen, Professor of Physics and Astronomy, State University of New York at Stony Brook: Electron-phonon effects in nanosystems. * Thomas T. Allsen, Professor of History, College of New Jersey: The royal hunt in Eurasian history. * Stephen Alter, writer, Reading, Massachusetts; Writer-in-Residence, Massachusetts Institute of Technology: A biography of the Indian elephant. * Donald Antrim, writer, Brooklyn, New York: Fiction. * Brett Baker, artist, Ithaca, New York: Painting. * Rebecca Baron, film maker, Los Angeles; Member of the Faculty in Film, California Institute of the Arts: Film making. * Lawrence W. Barsalou, Professor of Psychology, Emory University: The human conceptual system. * Omer Bartov, John P. Birkelund Distinguished Professor of European History, Professor of History, and Professor of German Studies, Brown University: The origins of the Holocaust in Buczacz, Ukraine. * Ellen B. Basso, Professor of Anthropology, University of Arizona: A translation of Kalapalo narratives. * Louise Beach, composer, Pleasantville, New York: Music composition. * Marion Belanger, photographer, Guilford, Connecticut: Photography. * David A. Bell, Professor of History, The Johns Hopkins University: The culture of war in the age of Napoleon. * Paul Berman, writer, Brooklyn, New York: A study of pro-Americanism and anti-Americanism. * George F. Bertsch, Professor of Physics, University of Washington, Seattle: The density functional theory of nuclear binding. * Alan Bewell, Professor of English, University of Toronto: Romanticism and natural history. * Dawoud Bey, photographer, Chicago. Professor of Photography, Columbia College Chicago: Photography. * Stanley Boorman, Professor of Music, New York University: Music printing and publishing in Italy, 1501-1539. * Philip Brett, Professor of Musicology, University of California, Los Angeles: The music and life of Benjamin Britten. * Nicholas Brooke, composer, Kingston, New Jersey: Music composition. * Diane Coburn Bruning, choreographer, Sleepy Hollow, New York; Artistic Director, Chamber Dance Project: Choreography. * Mary Baine Campbell, Professor of English and American Literature, Brandeis University: Dream and metaphor in early modern literature, science, and personal life. * Christopher Cannon, University Lecturer and Fellow, Faculty of English and Pembroke College, University of Cambridge: Form as thought in early Middle English literature. * Bridget Carpenter, playwright, Los Angeles: Play writing. * Noël E. Carroll, Monroe C. Beardsley Professor of the Philosophy of Art, University of Wisconsin–Madison: The philosophy of dance. * Elinor Carucci, photographer, New York City; Member of the Faculty in Photography, School of Visual Arts: Photography. * Rita Charon, Professor of Clinical Medicine and Director, Program in Narrative Medicine, College of Physicians and Surgeons, Columbia University: Narrative medicine as a model for empathy and clinical courage. * Brian R. Cheffins, S. J. Berwin Professor of Corporate Law, University of Cambridge: The foundations of the Anglo-American corporate economy. * Gang Chen, Associate Professor of Mechanical Engineering, Massachusetts Institute of Technology: Functional nanomechanical structures and devices. * John R. Clarke, Annie Laurie Howard Regents Professor, University of Texas at Austin: Humor, power, and transgression in ancient Roman visual culture. * Peter Cole, poet and translator, Jerusalem; Visiting Artist and Scholar, Jewish Studies Program, Wesleyan University: A translation of Hebrew poetry of Spain. * Dennis Congdon, artist, Rehoboth, Massachusetts; Professor of Painting, Rhode Island School of Design: Painting. * Anthony Cutler, Research Professor of Art History, Pennsylvania State University: Gifts and gift exchange between Byzantium, the Islamic world, and beyond. * Lennard J. Davis, Professor of English, Professor of Disability and Human Development, University of Illinois at Chicago: A history of obsession in Western culture. * Sam Davis, Professor of Architecture and Associate Dean, College of Environmental Design, University of California, Berkeley: Architecture for the homeless in America. * John Dorst, Professor of American Studies, University of Wyoming: Animal trophies and taxidermy displays in contemporary American culture. * Dennis Eberhard, Composer, Cleveland, Ohio; Director of Transitional Education Services, Services for Independent Living, Cleveland: Music composition. * Judith Eisler, artist, New York City: Painting. * Mitch Epstein, photographer, New York City; President, Black River Productions; Associate Professor of Photography, Bard College: Photography. * Rodney C. Ewing, Professor of Nuclear Engineering and Radiological Sciences, Geological Sciences, and Materials Science and Engineering, University of Michigan: The impact of the nuclear fuel cycle on the environment. * Ann Fabian, Associate Professor of American Studies and History, Rutgers University: The collection and display of human remains in 19th-century United States. * Anne Feldhaus, Professor of Religious Studies, Arizona State University: Divine siblings in India. * Robin Fleming, Professor of History, Boston College: Material culture and the rewriting of Anglo-Saxon history. * Robert Fourer, Professor of Industrial Engineering and Management Sciences, Northwestern University: Languages and systems for large-scale optimization. * William L. Fox, independent scholar, Portland, Oregon: The perception of space in Antarctica. * Daniel S. Freed, Professor of Mathematics, University of Texas at Austin: Applications of K-theory to geometry and physics. * Takashi Fujitani, Associate Professor of History, University of California, San Diego: "Korean Japanese" and "Japanese Americans" during World War II. * Michael Gagarin, James R. Dougherty, Jr. Centennial Professor of Classics, University of Texas at Austin: Writing and orality in ancient Greek law. * Mary Gaitskill, writer, Rhinebeck, New York; Instructor in English, Syracuse University: Fiction. * Susan Gal, Professor of Anthropology and Linguistics, University of Chicago: Language ideologies and political authority during and after socialism. * Thomas M. Gardner, Professor of English, Virginia Polytechnic Institute and State University: Emily Dickinson and contemporary writers. * William Gay, writer, Hohenwald, Tennessee: Fiction. * Diane Yvonne Ghirardo, Professor of the History and Theory of Architecture, University of Southern California and University of Cape Town: Women's spaces in Renaissance Ferrara. * David D. Gilmore, Professor of Anthropology, State University of New York at Stony Brook: Monsters in rituals. * Alfredo Gisholt, artist, Newton, Massachusetts; Teaching Associate of Art, Boston University: Painting. * Susan Goodman, Professor of English, University of Delaware: A biography of William Dean Howells. * Jeffrey L. Gould, Professor of History and Director, Center for Latin American and Caribbean Studies, Indiana University Bloomington: Rebellion, repression, and memory in El Salvador. * David Greenspan, playwright, New York City: Play writing. * Daniel Hall, poet, Amherst, Massachusetts; Visiting Writer, Amherst College: Poetry. * Paul Harold Halpern, Professor of Mathematics and Physics, University of the Sciences in Philadelphia: The concept of dimensionality in science. * Jonathan Hay, Associate Professor of Fine Arts, New York University: The erotics of luxury in Chinese art, 1580-1840. * Perry Hoberman, artist, Brooklyn, New York; Member of the MFA Adjunct Faculty in Computer Art and Photography and Related Media, School of Visual Arts: New media art. * Stephen D. Houston, Jesse Knight University Professor, Brigham Young University: Experience and being among the classic Maya. * Nicholas Howe, Professor of English and Director, Center for Medieval and Renaissance Studies. The Ohio State University: Cultural geography of Anglo-Saxon England. * Martha C. Howell, Gustave Berne Professor of History, Columbia University: Market culture in cities of the late medieval North. * John P. Huelsenbeck, Assistant Professor of Biology, University of Rochester: Studies in phylogenetic inference. * David Humphrey, artist, New York City: Painting. * Dan Hurlin, choreographer and theatre artist, New York City; Member of the Faculty in Dance and Theatre, Sarah Lawrence College: Choreography. * Douglas A. Irwin, Professor of Economics, Dartmouth College: A history of United States trade policy. * Kenro Izu, photographer, Rhinebeck, New York; President, Kenro Izu Studio: Photography. * Richard Jackson, poet, Chattanooga, Tennessee; Professor of English, University of Tennessee, Chattanooga; Member of the Faculty, MFA Program in Writing, Vermont College: Poetry. * Lea Jacobs, Professor of Communication Arts, University of Wisconsin–Madison: The decline of sentiment in American silent film. * Iván A. Jaksic, Professor of History, University of Notre Dame: Ticknor, Prescott, and the origins of Hispanic studies in the United States. * Deborah Jowitt, Senior Dance Critic, Village Voice; Master Teacher of Dance and Dance History, Tisch School of the Arts, New York University: A critical biography of Jerome Robbins. * Mercouri G. Kanatzidis, Professor of Chemistry, Michigan State University: Studies in solid-state chemistry. * Moisés Kaufman, playwright, New York City; Artistic Director, Tectonic Theatre Project: Play writing. * Alexander S. Kechris, Professor of Mathematics, California Institute of Technology: Classification problems in mathematics, group actions, and equivalence relations. * John Kelsay, Richard L. Rubenstein Professor of Religion, Florida State University: The Islamic law of war and peace. * Stephen Kern, Distinguished Research Professor of History, Northern Illinois University: A cultural history of causality since 1830. * Barbara J. King, Associate Professor of Anthropology and University Professor for Teaching Excellence, College of William and Mary: The social emergence of communication and language in primates. * Elizabeth King, artist, Richmond, Virginia; School of the Arts Research Professor in Sculpture, Virginia Commonwealth University: Video Installation. * Carol L. Krumhansl, Professor of Psychology, Cornell University: Cognitive neuroscience of music. * Paul LaFarge, writer, Brooklyn, New York; Adjunct Professor of Writing, Columbia University; Visiting Writer, Wesleyan University: Fiction. * Jhumpa Lahiri, writer, Brooklyn, New York: Fiction. * Peter Lake, Professor of History, Princeton University: Dynastic crises, confessional politics, and conspiracy theory in post-Reformation England. * Bun-Ching Lam, composer, Poestenkill, New York: Music composition. * David W. Lea, Professor of Geological Sciences, University of California, Santa Barbara: The role of tropical ocean cooling and atmospheric carbon-dioxide variations in ice-age cycles. * Marsha I. Lester, Professor of Chemistry, University of Pennsylvania: Significant radical reactions in the lower atmosphere. * Arthur Levering, II, composer, Cambridge, Massachusetts: Music composition. * Margaret Levi, Jere L. Bacharach Professor of International Studies and Professor of Political Science, University of Washington, Seattle: Trustworthy governance and constituent engagement. * Laura A. Lewis, Associate Professor of Anthropology, James Madison University: Narratives of history, race, and place in the making of black Mexico. * Xinsheng Sean Ling, Professor of Physics, Brown University: Studies in nanopore DNA sequencing. * Kefeng Liu, Associate Professor of Mathematics, University of California, Los Angeles: Mathematical and physical aspects of the mirror principle. * Rosemary Helen Lloyd, Rudy Professor of French, Indiana University Bloomington: The still life in art and letters. * Andrew W. Lo, Harris & Harris Group Professor and Director, MIT Laboratory for Financial Engineering, Massachusetts Institute of Technology: A cognitive map of financial risk perception and preferences. * Victor Lodato, playwright, Tucson, Arizona: Play writing. * Abraham Loeb, Professor of Astronomy, Harvard University: Studies of the earliest stars and black holes. * Jerome Loving, Professor of English, Texas A&M University: A biography of Theodore Dreiser. * Michael Lucey, Associate Professor of French and Comparative Literature and Director, Center for the Study of Sexual Culture, University of California, Berkeley: Same-sex sexualities in 20th-century French literature. * David Ludden, Professor of History, University of Pennsylvania: A history of knowledge about South Asian economies, 1770-1930. * Philip Lutgendorf, Associate Professor of Hindi and Modern Indian Studies, University of Iowa: The meanings of the divine monkey in India. * John D. Lyons, Commonwealth Professor of French, University of Virginia: The practice of imagination in early modern France. * Mikhail Lyubich, Professor of Mathematics and Deputy Director, Institute for Mathematical Sciences, State University of New York at Stony Brook: Geometric structures in holomorphic dynamics. * Kristin Mann, Associate Professor of History, Emory University: Trade, state, and emancipation in 19th-century Lagos. * Lev Manovich, Associate Professor of New Media Art, University of California, San Diego: The avant-garde art of the early 20th century and new media culture. * Tanya Marcuse, photographer, Barrytown, New York; Adjunct Professor of Photography, Simon's Rock College of Bard and Bard College: Photography. * Robert L. Martensen, Professor of History of Medicine and Director, Clendending Library of History of Medicine, University of Kansas School of Medicine: The origins and cultural politics of the cerebral body. * Chris Martin, artist, Brooklyn, New York; Art Therapist, Rivington House Health Care Facility, New York: Painting. * Rita McBride, artist, New York City: Sculpture. * Marlene McCarty, installation artist, New York City: Installation art. * Jim McKay, film maker, New York City: Film making. * Jane Mead, poet, Winston-Salem, North Carolina; Poet-in-Residence, Wake Forest University: Poetry. * Ian A. Meinertzhagen, Killam Professor in Neuroscience, Dalhousie University: Post-genomic approaches to simple nervous systems. * Claire Messud, Writer, Northampton, Massachusetts; Visiting Writer, Amherst College: Fiction. * Guy P. R. Métraux, Professor of Visual Arts, York University: Christian destruction of ancient art. * Susan Mogul, video and film maker, Los Angeles: Video and film making. * Santi Moix, artist, New York City: Painting. * Ian Morris, Jean and Rebecca Willard Professor of Classics and Professor of History, Stanford University: Greek democracy and standards of living in the first millennium BCE. * Judith Murray, artist, New York City: Painting. * John Nathan, Takashima Professor of Japanese Cultural Studies, University of California, Santa Barbara: Japan's quest for a viable role today. * Stephen Neale, Professor of Philosophy, Rutgers University: Myths of meaning. * Bruce Nelson, Professor of History, Dartmouth College: "Race" and "nation" in Ireland and the Irish diaspora. * Eric Nisenson, writer, Malden, Massachusetts: The Brazilian musical and cultural revolution. * Jennifer Nuss, artist, New York City; Artist-in-Residence, Brandeis University: Painting. * Lena Cowen Orlin, Professor of English, University of Maryland, Baltimore County; Executive Director, Shakespeare Association of America: Privacy in early modern England. * Kathy Peiss, Professor of History, University of Pennsylvania: Taste and the myth of American classlessness. * H. Vincent Poor, Professor of Electrical Engineering, Princeton University: Quantum multi-user communications. * René Prieto, Professor of Spanish, Vanderbilt University: The theme of solitude in Spanish American literature. * Stephen Prina, artist, Los Angeles; Instructor in Fine Art, Art Center College of Design: Visual art. * Pola Rapaport, film maker, Hampton Bays, New York: Film making. * Dewey Redman, composer, Brooklyn, New York: Music composition. * Donald Reid, Professor of History, University of North Carolina at Chapel Hill: A biography of Daniel Guérin. * Howard Rosenthal, Roger Williams Straus Professor of Social Sciences and Professor of Politics, Princeton University: Empirical tests of theories of the legislative process. * Jonathan L. Rosner, Professor of Physics, Enrico Fermi Institute, University of Chicago: Studies in heavy quark physics. * Alexander Ross, artist, Alford, Massachusetts: Painting. * Mary Ruefle, poet, Amherst, Massachusetts; Visiting Associate Professor of English, University of Alabama: Poetry. * Russell Rymer, writer, Portland, Oregon: The pernambuco tree, conservation, and classical music. * Richard A. Satterlie, Professor of Biology, Arizona State University: The modular and multifunctional nature of arousal systems. * Adrian Saxe, Artist, Los Angeles; Professor of Art, University of California, Los Angeles: Sculpture. * Ilya R. Segal, Associate Professor of Economics, Stanford University: Prior knowledge and communication constraints in the design of multi-unit auctions. * Ullica Segerstråle, Professor of Sociology, Illinois Institute of Technology: An intellectual biography of the evolutionist William D. Hamilton. * Ruth G. Shaw, Professor of Ecology, Evolution and Behavior, University of Minnesota: Evolutionary consequences of fragmentation. * Charlie Smith, writer, New York City: Poetry. * Sheila M. Sofian, film animator, Pasadena, California; Assistant Professor of Film Animation, College of the Canyons: Film animation. * Pierre Sokolsky, Professor of Physics, University of Utah: Ultrahigh-energy cosmic rays on the ground and in space. * David Stark, Arnold A. Saltzman Professor of Sociology & International Affairs, Columbia University: Network properties of East European capitalism. * Allyson Strafella, artist, Brooklyn, New York: Drawing. * Elisabeth Subrin, film maker, Brooklyn, New York; Visiting Lecturer of Film Studies, Amherst College: Film making. * Lawrence R. Sulak, David M. Myers Distinguished Professor of Physics, Boston University: The observation of high-energy neutrinos. * Madoka Takagi, photographer, Topanga, California: Photography. * Gary Taylor, Professor of English and Director, Hudson Strode Program in Renaissance Studies, University of Alabama: The publishing career of Edward Blount. * Richard Taylor, Professor of Mathematics, Harvard University: Galois representations and modular forms. * Richard Lowe Teitelbaum, composer, Bearsville, New York; Professor of Music, Milton Avery Graduate School of the Arts, Bard College: Music composition. * Elizabeth A. Thompson, Professor of Statistics and Biostatistics and Adjunct Professor of Genetics, University of Washington, Seattle: Studies in statistical genetics. * Daniel Treisman, Associate Professor of Political Science, University of California, Los Angeles: Decentralization, governance, and economic performance. * Matthew Turner, Associate Professor of Geography, University of Wisconsin–Madison: The history of environmental scientific practice in the Sahel. * Naomi Uman, film maker, Newhall, California; Member of the Adjunct Faculty, California Institute of the Arts: Film making. * Tomas Vu-Daniel, Artist, New York City; Assistant Professor of Art, Columbia University: Painting. * Howard Waitzkin, Professor of Family and Community Medicine, Internal Medicine, and Sociology, University of New Mexico: Economic globalization and public health. * Craig Walsh (Craig T. Walsh), composer, Tucson, Arizona; Associate Professor of Music, University of Arizona: Music composition. * Lee Palmer Wandel, Professor of History and Religious Studies, University of Wisconsin–Madison: The Eucharist in the early modern world. * Robert N. Watson, Professor of English, University of California, Los Angeles: Human alienation from nature in the English Renaissance. * Sheldon Weinbaum, CUNY Distinguished Professor of Mechanical and Biomedical Engineering, City College of New York: The structure and function of the endothelial glycocalyx. * Jonathan Weinberg, independent scholar and artist, Jersey City: Art and identity in the East Village. * Catherine Weis, choreographer, New York City; Artistic Director, Cathy Weis Projects; President and Co-Director, Roxanne Dance Foundation: Choreography. * Claire Grace Williams, Professor of Genetics and Forestry, Texas A&M University: Ecological, evolutionary, and population genomics of conifers. * Reggie Wilson, choreographer, Brooklyn, New York; Artistic Director, Reggie Wilson/Fist and Heel Performance Group: Choreography. * Alison Winter, Associate Professor of History, University of Chicago: Technologies of truth and sciences of memory since 1890. * Larry Wolff, Professor of History, Boston College: Legitimation and imagination in Habsburg Poland. * Christopher S. Wood, Professor of History of Art, Yale University: Reproductive technologies and Renaissance art. * James Woolley, Frank Lee and Edna M. Smith Professor of English, Lafayette College: The textual history of Jonathan Swift's poems. * Randy Wray, artist, Brooklyn, New York: Painting and sculpture. * Victoria Wulff, artist, New York City: Painting. * Yu Xie, Frederick G. L. Huetwell Professor of Sociology and Statistics and Senior Research Scientist, Institute for Social Research, University of Michigan: Economic reform and social inequality in contemporary China. * Karen Yasinsky, artist, Brooklyn, New York: Video. * Charles F. Yocum, Alfred S. Sussman Collegiate Professor of Molecular, Cellular and Developmental Biology and Professor of Chemistry, University of Michigan: The role of calcium in photosynthetic oxygen production. * Dean Young, Poet, Berkeley California; Visiting Professor, Writers' Workshop, University of Iowa; Member of the MFA Faculty in Writing, Warren Wilson College: Poetry. * Carl Zimmer, writer, Sunnyside, New York: The discovery of the brain and the birth of the neurocentric age. * Karl Zimmerer, Professor of Geography and Director, Environment and Development Research Institute, University of Wisconsin–Madison: The rural-urban geography of conservation and resource management. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of Guggenheim Fellowships awarded in 2002」の詳細全文を読む スポンサード リンク
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